A conversation of books and prints

Amy N. Worthen: The World in Perspective, August 22 – December 17, 2017, Brunnier Art Museum, 295 Scheman Building, Iowa State University

Is there a book you’ve had a conversation with over the course of your life? Has its meaning changed each time you return to it? Has it influenced your own work?

Here is an opportunity to see such a conversation play out in the works of an artist.

Amy N. Worthen: The World in Perspective. Prints and Drawings

Introduction label to “Amy N. Worthen: The World in Perspective” at Brunnier Art Museum.

About a year ago, I was contacted by Adrienne Gennett, Assistant Curator of Collections and Education at Iowa State University Museums, about the possibility of Special Collections and University Archives loaning some early printed books for an exhibition featuring a locally-based printmaker to help illustrate the history of printmaking. I had never been involved in an exhibition loan, but I was excited by the idea of our collections reaching an audience outside the library’s walls. As I met first with Adrienne, and joined later by the artist, Amy Worthen, the ideas for the book portion of the exhibit began to take shape.

Amy Worthen sent me a list of books with prints that had been influential to her–both as an art historian and as an artist. Since she lives for part of the year in Venice, Italy, she also listed some of our early books printed in Venice.

As Amy and Adrienne paged through books here in Special Collections, I got a peak behind the curtain, listening to their curatorial conversations as they determined the interplay of historical to contemporary prints.

Two books open for display in a glass museum case.

Two volumes from Denis Diderot’s Encyclopedie (call number AE25 .En185): the entry on Gravure (engraving) and a corresponding illustration from the plates volume.

After the final selections were made, other library staff contributed to getting the books ready for their exhibition debut. The library’s conservator, Sonya Barron, reviewed the items to identify any needed repairs. Preservation department staff member Jim Wilcox built the cradles to support the books. Finally, the books were ready for packing up and installation, completed by Sonya in collaboration with Museums curator Adrienne.

When I visited the exhibit, it was satisfying to see the final results. As Rare Books and Manuscripts Archivist, I was delighted to see some familiar faces in a new setting, and viewing the results of Amy Worthen’s “conversations” with the early prints was illuminating.

One of the first cases you see when you enter the room lays the foundation for the exhibit. Two volumes are displayed side-by-side in a case. One is entirely text–the entry from Denis Diderot’s French Enlightenment Encyclopédie on “Gravure,” or engraving. To its right is one of the encyclopedia’s plates volumes, opened to an illustration of engraving tools. When you turn to your left, you see a corresponding case of engraving tools and a copper plate, etched with fine lines by the artist. Hanging above it on the wall is Worthen’s framed artist’s proof of Strumenti d’ Incisione (Engraving Tools), 1995, a true counterpart to the Encyclopédie‘s illustration–she created it to illustrate her entry on printmaking for the Grove Dictionary of Art.

Another example of Amy Worthen’s prints in conversation with earlier pieces can be seen in the pairing of a print from Giovanni Battista Piranesi’s Le antichità romane (1756) (call number NA1120 .P664a), with the artist’s Catacomb. The accompanying label reads, “When she was in college Worthen first saw original Piranesi etchings. She was greatly inspired by his approach to architecture – part documentation, part exaggeration, and part fantasy.” Both of the prints feature Roman catacombs, or underground burial sites.

Some of my favorite pieces in the exhibition are those with elements of whimsy and humor, such as The Department of Agriculture, depicting a cow seated at a desk inside the State Capitol building addressing a group of animals including 2 pigs and a litter of piglets, a rooster, and a big-horn sheep. I laughed out loud when I saw Worthen’s Self-Portrait as a Pineapple:

Print of black lines on yellow showing a pineapple form with a face underneath the leaves.

Self-Portrait as a Pineapple, 1970
Amy N. Worthen (American, b.1946)
Un-numbered
12 1/4 x 9 1/8 in. (31 x 23.2 cm)
Loaned by the artist

This is only a sneak peek at the exhibit. You’ll want to visit in person to see the eight books from Special Collections and more than one hundred prints, sketchbooks, and printing plates.

You still have time to stop by and see Amy N. Worthen: The World in Perspective. It is on exhibit through December 17, 2017, at Brunnier Art Museum in 295 Scheman Building.


Rare Books Highlights: Books from the Index librorum prohibitorum

This week is Banned Books Week, an annual celebration of the freedom to read. Book banning and censorship have gone on for centuries, and one of the most prominent vehicles for such activity in the Western world was the Index librorum prohibitorum, the list of books banned by the Roman Catholic church for spreading heretical ideas. The Index made its first appearance in 1559 under Pope Paul IV, and it carried broad restrictions, including all books by heretical authors and printers, and books without identifiable authors or printers. The Pauline Index was not readily accepted because of the severity of its restrictions, and so it was replaced in 1564 by the Tridentine Index, coming out of the Council of Trent, the Roman Catholic church’s 19th ecumenical council convened in response to the Protestant Reformation. This Index followed more narrow rules for prohibiting books. For example, books of a non-religious nature by a heretical author were not necessarily prohibited. The Tridentine Index laid the foundation for later editions of the Index. In 1571, the Sacred Congregation of the Index was established to oversee and periodically update the Index and to investigate particular cases of denounced writings. The final 20th edition of the Index appeared in 1948, and it was officially abolished by Pope Paul VI in 1966.

This post highlights two famous astronomy books from our collections that spent time on the Index.

Nicolaus Copernicus. De revolutionibus orbium coelestium. Basileae, Ex Officina Henricpetrina, 1566. Call number: QB41 .C79d

Nicolaus Copernicus. Portrait from Toruń, beginning of the 16th century.

Copernicus overturned the long-held idea of an earth-centered universe in his De revolutionibus. He demonstrated mathematically that the Earth and the other planets revolve around the sun, and that the moon revolves around the Earth, as shown in the diagram below.

Page showing a diagram of the heliocentric solar system model from Copernicus’s De Revolutionibus.

The book was not censored immediately upon publication. Though the work received criticism for being in conflict with Joshua 10:13 from the Bible, in which the Sun is commanded to stand still in the sky, thus indicating that the Sun circles the Earth, it took over 70 years for the book, first published in 1543, to come under consideration by the Congregation of the Index, due in large part to the astronomical work of Galileo (see more below). In 1616, the Congregation placed the work on the Index “until corrected,” and in 1620 ten specific corrections to the text were outlined that were designed to make heliocentricism appear to be theoretical only and not a description of a natural phenomenon.

Some copies of the book were “corrected” by hand, especially copies owned by people living in Roman Catholic countries. The ISU copy is, perhaps unfortunately, not corrected. Check out this blog post from University of Rochester River Campus Libraries for examples of a corrected copy.

Coat of arms stamped in gold leaf on brown leather.

Coat of arms on the cover of ISU’s copy of De Revolutionibus.

Although lacking the corrections, the ISU copy does have some interesting elements. Check out the coat-of-arms on the binding. A note pasted inside the front cover indicates that this coat-of-arms was used by the “eldest son during father’s lifetime” of the Berkeley family, a family from the English nobility from a long-running Saxon line.

 

 

Galileo Galilei. Dialogo di Galileo Galilei. Fiorenza i.e. Napoli, 1710. Call number: QB41 .G35 D5x 1710

Justus Sustermans’ Portrait of Galileo, 1636. National Maritime Museum, Greenwich, London.

The writings of Galileo and Copernicus are closely linked in their relation to the Index. In fact, he wrote as early as 1597 to both Johannes Kepler and a former colleague named Jacopo Mazzoni, sharing his support for Copernicus’ model of the solar system. Galileo’s work at this time focused largely on mechanics, but with the invention of the telescope in 1608, he turned his attentions to improving it. In 1610, Galileo took his improved telescope and starting looking to the heavens. Galileo made a number of famous discoveries, including four moons of Jupiter, which he published in a book titled Sidereus nuncius. His made later discoveries, including the phases of Venus, that removed objects to the Copernican system, and in 1613 he published Letters on Sunspots, in which he first spoke openly in favor of the Copernican system. Later than same year, theological objects to the Copernican system were raised, and Galileo rose to its defense. He wrote on the necessary separation between scientific investigation and theological issues, and he even went to Rome in late 1615 to advocate against the suppression of the Copernican system and to clear himself from any condemnation. Galileo failed to stop the 1616 edict against De revolutionibus, and while no actions were taken against him or his works, he was instructed to no longer defend Copernicanism.

In 1623, Pope Urban VIII was appointed in Rome. Galileo met with the new pope in 1624, and over the course of several meetings, the pope granted Galileo permission to write about the Copernican system, so long as he presented it as a theory. The result was Galileo’s Dialogue Concerning the Two Chief World Systems. The book took the form of a conversation between a spokesman for Copernicus, a spokesman for the Ptolemy and Aristotle (who promulgated a geocentric model of the solar system), and an educated layman for whose support the other two are vying. The follower of Ptolemy and Aristotle is named Simplicio, which looks suspiciously like a double entendre for a simple-minded person, since the Italian for simple is semplice. While on the surface Galileo remains uncommitted to the Copernican system, the course of the book systematically disproved the geocentric model of the universe. He also put the arguments used by Pope Urban VIII himself in conversations with Galileo into the mouth of Simplicio, which seems to have caused great personal offense to the pope. Upon publication of the Dialogo in 1632, copies were sent to Rome, and before long Galileo was ordered to appear before the Inquisition.

Galileo’s Dialogo was written as a conversation between three speakers, but it proved many mathematical points, as illustrated by the diagram on the right page.

The results of Galileo’s trial are well-known. He was found guilty of heresy in his support of the Copernican system and was forced to abjure those views. He was sentenced to imprisonment, but due to health issues the sentence was commuted to house arrest for the remainder of his life. Finally, the Dialogo was placed on the Index.

Galileo continued to write while under house arrest, publishing an important work in physics, Discourses and Mathematical Demonstrations Relating to Two New Sciences, in 1638. Because the publication of any of Galileo’s works had been banned, he had to have the manuscript smuggled out and published in Holland by Elzevir.

ISU’s copy of the Dialogo is a large-paper copy of the second vernacular edition, meaning the edition that was printed in Italian, rather than the original Latin. Published in 1710, almost 80 years after the first edition and 68 years after Galileo’s death in 1642, it was still a prohibited work. Perhaps that is why there is no publisher indicated and there is a disguised printing location–the title page says Florence, but bibliographic scholars have identified that it was actually published in Naples. This edition is important in that it contains, in addition to the Dialogue, several other related texts that were not available at the time of the first edition. Notably, it includes the first Italian printing of Galileo’s Letter to the Grand Duchess Christina, in which he argued for the independence of science from religion, and a reprint of Paolo Foscarini’s Lettera, which was the first Italian work defending the Copernican theory. This last work was banned in 1616 at the same time as Copernicus’ De revolutionibus, and existing copies were burned. Also of interest is the Inquisition’s sentence of Galileo and his abjuration.

Both works by Galileo and Copernicus remained on the Index until 1835, when the Catholic Church abandoned its official opposition to heliocentrism.

 

This post was written with help from:

Dialogue Concerning the Two Chief World Systems.” Wikipedia. 30 August 2017. en.wikipedia.org/wiki/Dialogue_Concerning_the_Two_Chief_World_Systems

De revolutionibus orbium coelestium.” Wikipedia. 9 September 2017. en.wikipedia.org/wiki/De_revolutionibus_orbium_coelestium

Dictionary of Scientific Biography. Charles Coulston Gillispie, ed. Scribner, 1981.

“Galileo Galilei.” Wikipedia. 18 September 2017. en.wikipedia.org/wiki/Galileo_Galilei

Index Librorum Prohibitorum.” Wikipedia. 28 July 2017. en.wikipedia.org/wiki/Index_Librorum_Prohibitorum

“List of authors and works on the Index Librorum Prohibitorum.” Wikipedia. 23 June 2017. en.wikipedia.org/wiki/List_of_authors_and_works_on_the_Index_Librorum_Prohibitorum

“Nicolaus Copernicus.” Wikipedia. 18 September 2017. en.wikipedia.org/wiki/Nicolaus_Copernicus

Two New Sciences.” Wikipedia. 21 September 2017. en.wikipedia.org/wiki/Two_New_Sciences


“Faithful friend of my girlhood”: the diary of Celestia Lee Barker

“I believe I will write a journal, said sister A. a few days ago,” Celestia Lee wrote in the first entry of her diary on July 5th, 1863. “It will be so novel like, and good to refer to, when I get old. That’s just it; I want to begin now; I will too said I; it will be so nice.”

Barker describes her decision to begin a diary.

First entry in Celestia Lee Barker’s diary, dated Thursday, July 5th 1863

The diary is part of the Celestia Lee Barker Papers (MS-246). Celestia Lee was born April 23, 1846, in Springwater, Livingston County, New York. In April 1855, when she was nine years old, her family moved to Macksburg, Madison County, Iowa. She began writing her diary when she was 17, and so perhaps it is not surprising that within the first few pages, we hear a description of a “beau” of hers:

Wm [William] accompanied me home from church yesterday. He did not come in but said if it was agreeable he would call in the evening. I consented and he went off. …Towards dark I was fixing up a little of course, and E. began about his coming. She had her own fun about it, and said she intended to sit up as long as I did. I told her I did not care, and perhaps C. would come too. She did not think he would; but time proved quite to the contrary, for soon there appeared to [sic] young men who took a beeline for our house….E. and C. were quite bashfull [sic] and did not have  much to say, but Wm. and I had a real time.

E. and C. were quite bashful and did not have much to say, but William and I had a real time. I wonder what A. will say about E's beau.

Barker describes she and her sister “E” meeting with their beaux in the evening.

By September, she writes about an unexpected change in her life. She has left home to attend a school (“seminary,” as she calls it) in Indianola. “A., H & [?] had been talking of coming here but I did not think as I could come till ma said I could if I wanted to. At first I thought it was impossible for there was so much to do at home but she argued it all away & the consequence was that I am here ready to begin studies,” she writes in her entry for Sept. 15, 1863.

She continues to keep in touch with William. On Sept. 18 she writes, “Rec’d a letter from Wm. this morning. He is most well & will start for the Reg’t before long.” As you might have noticed, she began keeping her diary during the Civil War.

She writes about school… “I like the Teacher very well & the scholars too, & had several new ones this week. One young man named Shepherd. Mattie calls him brother. He is real good looking.” (Sept. 22, 1863)

Have just returned from the Seminary and had very good sessions. I like the Teacher very well and the scholars too, and have several new ones this week. One young man named Shepherd Mattie calls him brother. He is real good looking.

Barker describes her school experiences.

…and social life… “Mat & I called on the other ‘old maids’ the other eve. O we had a splendid time pulling candy.” (Oct. 10, 1863)

…and loneliness… “O why do I feel so lonely & forsaken today as if I was alone from home & among strangers who cared nothing for me nor I for them. My thoughts turn to the past like a troubled dream & then to the future with appears so dark.

“I was out to the [?] last night & that accounts for it. It is the way with me generally after I have been so gay & they had music & dancing there. Farewell to fashionable society. I think I have witnessed you for the last time as a participator. I am sick of it. It is nothing but deceit adorned with gaudy trappings.” (Oct. 21, 1863)

Celestia kept her diary for about four years. In 1866, she got married to her beau William Barker. Her entry of May 10, 1866, begins, “Dear Journal how you are neglected of late & you have been such a faithful friend of my girlhood & these days will soon be over then this volume will be done & another begun then what will be the record.” Further on she continues, “We are to be married the 6th of Sept. & so much to do before that I intend to get the house plastered & things comfortable for ma before I leave her. That is my only grief & fear nothing in the future for myself. Wm. is as devoted as I could wish when we are alone but in public he hardly notices me & I hardly like such a marked difference but it is his way I supposed. He says he can’t understand me yet I am so different from others & I surely don’t understand him but I do not doubt his love.”

Journal entry states that she has neglected her journal lately, that she is looking forward to marriage, but that her fiance neglects her in public but is affectionate in private.

Entry for May 10, 1866 in which she describes her hopes for marriage.

There follows several blank pages before there are some poems.

She took up her diary again with an entry from April 23, 1881, that begins, “Well well here I am 35 ys. old today. What an old lady I am to be sure but don’t know as I feel any older than I did at 20 & people do say I have not changed much in looks. I do believe a great deal depends on keeping the heart young to keep our looks young & my life seems such a happy one with such a good man & 4 good smart children.”

Well well here I am 35 years old today. What an old lady I am to be sure, but don't know as I feel any older than I did at 20 and people do say I have not changed much in looks.

Entry dated April 23, 1881 on her 35th birthday.

Further pages include pasted clippings of poems and periodic diary entries. Her final entry is dated Apr 23d 1904, and begins, “Dear old journal it has been long long since I have written & now this is my 58 birthday & how busy I have been.” She writes that they now live in Denver, Colorado, “& have a beautiful home far nicer than I ever dreamed of having.” She reflects back on her life, noting,

How much I have to be thankful for & how often I have proved the old song I have always loved, ‘Ever down to old age all my people shall prove my sovereign eternal unchangeable love And when hoary hairs shall their temples adorn Like lambs they shall still in my bosom be borne.’ Blessed promise blessed hope but it seems as if I am getting only as I look in the glass for I am most always so old.”

Celestia Lee Barker diary 0006

Barker’s final entry dated April 23, 1904, in which she looks back on her marriage and thinks about aging.

A bittersweet reflection for one who was only (at least from a modern perspective) 41 years old. But all-in-all this diary presents a remarkable look at the life and reflections of a 19th century Iowa woman from youth through adulthood.

This diary can be viewed online in Digital Collections.

 

 


Rare Book Highlights: Eclipse!

Do you have plans to watch the eclipse today? I do! As you read this, imagine me already stationed within the path of totality.

If you are experiencing eclipse fever, you may be interested, like I was, to know what books we have in Special Collections related to eclipses. A quick search of the library’s catalog brought back the following book with the subject heading, “Solar eclipses — Mathematics”:

Petrus Elvius. Exercitium mathematicum eclipsiographiam solis leviter adumbrans… Upsaliæ : Literis Wernerianis, 1710. Call number: QB541 E48x 1710.

Checking the shelves I found a small pamphlet bound in blue paper wrappers that have become entirely detached. It is kept in this protective four-flap binder:

The Elvius pamphlet in its four-flap binder. Written on the front cover is “Elvius et Milberg 1710”.

The title page begins with the line, “Auspice DEO!” (Under the auspices of God!). Although this was published early during the Age of Enlightenment, we can surmise that it took some time for the influence of religion on science to recede.

Auspice Deo! Exercitium Mathematicum Eclipsiographiam solis leviter adumbrans, quod consentiente ampliss. Facult. Philos. in Regia Academia Upsaliensi, Praeside viro celberrimo, Mag. Petro Elfvio, Math. Super. Profesi. Reg. & h. t. Fac. Phil. Decano Spectabili, Aequitori Bonorum Censurae modeste submittit

Elvius pamphlet title page.

Written in Latin, the Eclipsographia solis, as it is also known, contains an explanation of the mathematical calculations of eclipses, including their duration. At the beginning, after the dedication, there is this delightful fold-out set of diagrams:

Four black ink diagrams showing various angles across portions of a spear labelled with numbers and letters. One diagram includes a sun with a nose and mouth.

Diagrams in Elvius pamphlet.

What did people know about eclipses, or even the solar system in general, when this pamphlet was published in 1710? People have been awed by–and therefore have studied–the phenomenon of eclipses for millennia. The astronomer Gerald Hawkins contended in the 1960s that Stonehenge was used to predict eclipses. Eclipses were studied by the ancient Babylonian, Chinese, Arabic, and Greek astronomers. Anthony Aveni writes in his book In the Shadow of the Moon, “Beginning about the sixteenth century, eclipse observations of a scientific nature begin to enter historical records on the European continent” (p. 137). In 1543, with the publication of his book De revolutionibus orbium coelestium (On the Revolutions of the Heavenly Spheres), Nicholas Copernicus revolutionized European astronomy by demonstrating mathematically that the Sun, rather than the Earth, was at the center of the universe. Galileo later defended the Copernican system in his 1632 publication Dialogo sopra i due massimi sistemi del mondo (Dialogue Concerning the Two Chief World Systems), which got him in trouble with Pope Urban VIII and led to his house arrest. Johannes Kepler improved on the work of Copernicus with his work on the laws of planetary motion, elucidated in his Astronomia nova (New Astronomy) published in 1609. Isaac Newton in 1687 published his Principia, in which he stated his laws of motion and universal gravitation. He also showed how Kepler’s laws followed the same principles as his law of gravity, proving that the same laws of motion govern objects both on the earth and in space.

It would seem by 1710, when our pamphlet was written, that European astronomers knew quite a bit about the solar system and the movement of the planets. In reality, it took some time for the new ideas about the solar system to be fully accepted. (Remember the “Auspice DEO!” of the title page?) Petrus Elvius, the author of our pamphlet, was a Swedish professor of astronomy at Uppsala University and lived from 1660 to 1718. According to his entry in the Swedish Biographical Dictionary (Svenskt biografiskt lexikon), his position on the Copernican system was not clear, and he expressed doubt over the validity of Newton’s law of universal gravitation in a letter 1711 letter to Emanuel Swedenborg, calling it “abstraction” and not physics.

Interestingly, this book was published 5 years before the May 3, 1715 total solar eclipse that crossed central England and Northern Europe. Edmond Halley, famous for calculating the orbit of the eponymously named Halley’s Comet, predicted the path of the eclipse with a very high degree of accuracy (within 4 minutes) and drew a map of its path across England. This map helped to promote popular interest in eclipse-watching (much like today), and it also set off a period of increasingly accurate eclipse mapping.

Happy eclipse day, everyone!

Work Cited

Aveni, Anthony. In the Shadow of the Moon: The Science, Magic, and Mystery of Solar Eclipses. Yale University Press, 2017.


The results are in: Intaglio class final projects

It is not often that I get to see the results of my Special Collections instruction sessions in such a tangible way.  Back in February, I worked with April Katz’s Intaglio class, who came in to view and take photos of examples of intaglio prints from a variety of our rare books to incorporate into their own studio projects. In April I had the pleasure of attending the class’s final critique and seeing the fruits of their labor.

All of the prints were inspiring and beautiful to see. I am highlighting here a few in which I could clearly decipher where the inspiration came from in our collections.

Here, for example, is the work of Jen Wichers, who took as inspiration images from a book on French fashion from the 1780s (Cornu, Paul, et. al. Galerie des Modes et Costumes Francais. Paris: É. Lévy, 1912?. Call number: GT865 G132).

 

Anna Wagner was inspired by images of tools from Diderot’s French Enlightenment Encyclopédie (Diderot, Denis. Encyclopédie. Paris: Briasson, etc, 1751-65. Call number: AE25 En185) in these prints of hammers with entwined flowers.

One of our botanical books inspired this work by Alexandria Collins, which shows the interplay of the natural and the man-made. (Hooker, William Jackson. Flora boreali-americana. London: H.G. Bohn, 1840. Call  number: QK201 .H764f)

Here is a final set of photos of the work of Jordan Jorgensen, who was also inspired by Diderot. I like the interplay of the hand tool (scissors) and the larger machine (spinning wheel) and the faceless woman running it.

Thank you to April Katz’s ARTIS 357/557, Intaglio & Monotype class for allowing me to attend your final critique and show off your work on our blog. You did great work!

 


Rare Book Highlights: Railroad tourism to Iowa lakes

Nichols, C. S. Spirit Lake and the Okobojis. Steubenville: Burlington, Cedar Rapids & Northern Ry., 1901.

Cover of the pamphlet, Spirit Lake and the Okobojis. Notice the Native American paddling a canoe through reeds in the green below the title.

During the summer, I love to spend time at a lake. Clear Lake in north central Iowa is a favorite of mine because it is the closest natural lake to where I live in Iowa. People have been leaving the heated cities behind to spend summers at lakes for a long time. Before the car made the Great American Roadtrip commonplace, the early tourism industry was greatly promoted by railways, as one of our recent acquisitions makes clear. The Burlington, Cedar Rapids & Northern Railway published a travel guide in 1901 for Spirit Lake and the Okobojis, a group of glacial lakes in northwestern Iowa that is sometimes referred to as “Iowa’s Great Lakes.”

Crandall’s Lodge, Spirit Lake, North Shore

This 31-page pamphlet gives plenty of information for the potential traveler who might be considering these Iowa lakes for their summer destination, including a description of Spirit Lake, information on where to stay, points of interest, and things to do. Here is its description of Crandall’s Lodge, “the most noted” resort on Spirit Lake: “There are none of the restraints of a fashionable summer restort at Crandall’s Lodge, but visitors here come to have a good time, unhampered by anything that will prevent the fullest enjoyment. …The beach facing the Lodge is the finest on Spirit Lake. It is quite wide, floored with clean white sands, dipping so gently into the water that bathers can go out a great distance before getting beyond their depth. This is the most popular pastime at this resort, and the merry shouts of children in play upon the sand or sporting in the water are heard from morn till night. …The rooms are large, well furnished and comfortable. The table is supplied with an abundance of well cooked and well served food. The cream, milk and butter come to the table fresh from a herd of thirty-six thoroughbread cows, and the supply is never in the least stinted. The vegetables are fresh from its own garden, which is the especial pride of Mr. Orlando Crandall, the founder of the Lodge. The rates here are most reasonable. Transients are charged $2.00 per day or $10.00 per week, with special rates to families.” The Lodge is a good 6 1/2 miles from the railway station, but the proprietor will meet visitors at the station for the scenic drive along the lake to the lodging. A family friendly swimming beach, large rooms, local foods, and reasonable rates…what more could even a modern tourist ask for?

The young “bathers” look a little different from today, don’t they?

Where did these visitors come from? The B.C.R. & N. railway “has a direct line from Chicago, Peoria and St. Louis to Spirit Lake. It maintains a double daily service between Chicago and St. Paul and Minneapolis….”

Map of the Spirit Lake/Okoboji area showing the railway and attractions.

Now, who’s ready to join me at the lake?


Rare Book Highlights: Marginalia in Hasselquist’s Voyages and Travels in the Levant

Map of the Mediterranean Sea surrounded by the Greek islands, Anatolia, Cyrpus, the Near East, and Northern Africa.

Map of Hasselquist’s Travels to the Levant from the year 1749 to 1752.

Hasselquist, Fredrik. Voyages and Travels in the Levant; in the Years 1749, 50, 51, 52. London: Printed for L. Davis and C. Reymers, 1766. Call number: QH43 H27iE

The former owner of this book left no record of his (or her?) identity; there is no bookplate or owner signature to tell us who the arm chair traveler was. But he left traces of his musings in the marginal notes and underlinings scattered through the book.

The book describes the Levant, a historical geographic term referring to the Eastern Mediterranean countries, and Hasselquist began his travels in Smyrna, an ancient Turkish city now called İzmir, and continued through Egypt and the modern-day countries of Israel, the Palestinian territories, Syria, and Cyprus. Hasselquist was an 18th century Swedish naturalist and student of Carl Linnaeus, the botanist who developed the modern scientific system of naming organisms by genus and species called binomial nomenclature. Linnaeus gave a lecture in which he lamented that the natural history of the Holy Land was little known, prompting Hasselquist, at the age of 27, to undertake the voyage for scientific study. He traveled for four years, collecting natural history specimens and taking notes on the natural history and the customs of the countries’ inhabitants, but he died in Smyra on his way home. His notes and collections reached Sweden, where Linneas published his notes in 1757 under the title Iter Palæstinum, Eller Resa til Heliga Landet, Förrättad Ifrån år 1749 til 1752. The book was translated into English in 1766.

The owner of our copy seems to have been most interested in the areas of Turkey and Egypt, given the concentration of marginalia in those sections of the book.

Here are some markings of note:

Two pages of printed text. Includes pointing hands drawn in ink in margins and a handwritten note that is not entirely legible.

Marginalia: pointing hands called “manicules” and marginal note, “Similar to the dance [?] amongst the Spaniards V. Barett’s Travels”. [click for larger image]

Our reader used manicules, or hands with pointing fingers, to point out passages comparing the roads in Smyrna unfavorably to the roads in Sweden, and describing the country estate of the Dutch Consul Hochpied containing a variety of exotic birds. On the facing page, he highlights a passage describing a traditional dance and notes its similarities to a Spanish dance described in another travel book.

Note reads, “n.b. women’s howl compared to frogs croak.” [click for larger image]

In the chapter describing Alexandria, Hasselquist describes a group of women giving invitations to a feast, who walked along making loud noises described as “shrill” and “quavering,” meant, as he was told, to signify the women’s joy. In a gloss on the text, the reader has written, “Women’s howl compared to frog’s croak.”

Notes read, “a good observation of an Arabian” and “n.b. – hospitality of the Arabs” [click for larger image]

Referring to a description of the moderate eating habits of some local men, the reader has noted, “* a good observation of an Arabian.” Later he notes a passage describing the “hospitality of the Arabs.”

Who was our mysterious book owner? Clearly, it was someone avidly interested in the customs of cultures foreign to his own. This was no passive reader, but one who wished to return to specific passages of interest. Living at the tail end of the Age of Exploration, there would have been many books to feed his interest in exotic locales. Can you imagine how fascinating it would be to discover other books from this reader’s library, to find out which regions and countries were of particular interest? This book provides just a glimpse.


Rare Book Highlights: Carver’s Travels

Title page of Carver’s Travels through the Interior Parts of North America in the Years 1766, 1767, and 1768.

Carver, Jonathan. Travels through the Interior Parts of North America, in the Years 1766, 1767, and 1768. London, 1781. Call number: F597 .C32 1781x

This month I would like to highlight one of our recent acquisitions. For those of us living in the Upper Midwest, this book gives a glimpse of the region just before the time of the American Revolution.

Portrait of Jonathan Carver from the fontispiece of his Travels.

Jonathan Carver was born in Massachusetts in 1710 when it was still an English colony. He joined the Massachusetts militia in 1755 and fought in the French and Indian War. At the end of the war, he set out west to explore the new territory that the British acquired as a result of the war.

He traveled into modern day Wisconsin, Minnesota, Iowa, and the Dakotas, finding his way to the headwaters of the Mississippi River and traveling around the Great Lakes.

His book is part travelogue, part natural history text. He describes not only the land he passes through, but also the native peoples he meets, including their customs and way of life. The second half of the book describes the animals and plants he discovers along the way.

Colored illustration of a male Native American on the left, dressed in a loin-cloth and leggings and carrying a musket and ax, with a woman and child on the right. The child is nake, and the woman is wearing a white dress with a pink skirt underneath.

Colored plate depicting “A Man and Woman of the Ottagaumies.”

In the text, Carver describes coming upon “the Great Town of the Saukies,” or Sauk people–one of the Native American tribes that moved into Iowa in the 1700s. This particular town was located on the Wisconsin River (“Ouisconsin River”) in that what is now Wisconsin, but perhaps it gives a sense of how these same people may have lived in Iowa (through the lens, of course, of a European colonial of the time). He writes,

“This is the largest and best built Indian town I ever saw. It contains about ninety houses, each large enough for several families. These are built of hewn plank neatly jointed, and covered with bark so compactly as to keep out the most penetrating rains. Before the doors are placed comfortable sheds, in which the inhabitants sit, when the weather will permit, and smoak their pipes. The streets are regular and spacious; so that it appears more like a civilized town than the abode of savages. The land near the town is very good. In their plantations, which lie adjacent to their houses, and which are neatly laid out, they raise great quantities of Indian corn, beans, melons, &c. so that this place is esteemed the best market for traders to furnish themselves with provisions, of any within eight hundred miles of it” (46-47).

Detailed view of map showing Carver’s planned travel area. In the lower right quadrant of the image is shown “Saukies Chief Town.”

Carver also describes the animals he encountered, including the “Tyger of America,” which, he says, “resembles in shape those of Africa and Asia, but is considerably smaller. Nor does it appear to be so fierce and ravenous as they are. The colour of it is a darkish fallow, and it is entirely free from spots” (442). Which American cat is he describing, do you think? My guess is the bobcat.

Colored image shows the stalk, leaves, and flowers of the tobacco plant, as well as the caterpillar that feeds on the plant.

Although there are no plates illustrating the animals listed in the book, there is a colored plate illustrating the Tobacco Plant.

In addition to describing the native plants and animals of the region, Carver also describes the starchy plants that the Native Americans grew or harvested, including maize, wild rice, beans, and squash. The New England colonists may have been familiar with corn from their early interactions with the natives in the area, but for Carver’s audiences in England, the plant was likely still a strange exotic. Given its importance to the Iowa economy, it may be interesting to see how he describes this early species of “MAIZE or INDIAN CORN.” The stalks grow “six to ten feet high.” The kernals he calls “seeds,” describing them as “large as peas, and like them quite naked and smooth, but of a roundish surface, rather compressed. One spike generally consists of about six hundred grains, which are placed closely together in rows to the number of eight or ten, and sometimes twelve.”  “This corn is very wholesome,” he continues, “easy of digestion, and yields as good nourishment as any other sort” (522).

Wouldn’t Carver be surprised to see Iowa today with its acres and acres of corn fields?

This book was purchased with funds from the Margaret Mae Gross Memorial Endowment.


Rare Book Highlights: Iowa Private Press books

In honor of National Poetry Month, I am highlighting several private press books that contain collections of poetry. Private presses are run by individuals and are driven less by commercial than personal interests. The works they create have limited press runs, and the goal is to create a beautiful book.

Iowa State University Library has collected the works of a number of Iowa private presses, particularly from those active in the 1960s-80s, and Special Collections holds a related manuscript collection, the Iowa Private Presses Ephemera Collection (MS 414).

Slesinger, Warren. Field with Figurations. West Branch, Iowa: The Cummington Press, 1970. Call number: PS3569.L4 F5

This book of poems by Warren Slesinger published by the Cummington Press in West Branch, Iowa, is quarter-bound with a lovely gray paste-paper with a wavy design. Many private press books use a colophon–a note at the end of the book containing various information about the book and its publication. In early printed books, especially those in the 15th century, the colophon was the only place to find information on the title and author of the work, the printer, place of printing, and date. Today in many private press and artists’ books, the colophon is frequently used to record details about the type, paper, binding, and other physical aspects of the book. In this case, we see that this book is part of a numbered edition–33 of 295 copies–as well as other details about the paper and funding source.

This book is number 33 of an edition limited to two hundred and ninety-five copies, printed on Alexandra Japan paper from Octavian type; its production has been enabled by a grant of money from the National Endowment for the Arts.

Colophon of Slesinger’s “Field with Figurations”.

Sjoberg, John. Hazel & Other Poems. West Branch, Iowa: The Toothpaste Press, 1976. Call number: PS3569.J6 H3

Here is another book with an interesting binding. The colophon indicates that this edition was bound in two different ways. The larger portion was sewn and glued into wrappers, meaning paper covers, similar in weight to a paperback book. Fifty copies, of which this one is numbered 41 and signed by the author, were “quarter bound in Japanese handmade Tomoe paper & cloth over boards by the Black Oak Bindery.” I love this binding. The paper has an almost furry texture, and the swirls have a lovely sheen in the light.

Hazel was designed by Cinda Kornblum; handset by Steve Levine and Allan Kornblum; then printed on Ragston paper in an edition of 500 copies by Allan Kornblum & a treadle-driven Challenge platen press. Of this first edition, 450 were sewn and glued into wrappers; 50 copies were numbered & signed by the author, then quarter bound in Japanese hand-made Tomoe paper & cloth over boards by the Black Oak Bindery. Numbered 41, and signed by John Sjoberg.

Colophon for Sjoberg’s “Hazel & Other Poems.”

Padgett, Ron, and Trevor Winkfield. How to be a Woodpecker. West Branch, Iowa: The Toothpaste Press, 1983. Call number: PS3566.A32 H68x 1983

Here is an example of a book sewn into wrappers. Sewn with a simple pamphlet stitch, I find it elegant in its simplicity. This book contains a series of 5 poems, each illustrated with a whimsical black and white print. These are also signed by the book’s creators.

(c) 1983 by Ron Padgett and Trevor Winkfield. Handset in Optima type by David Duer. This is number 213 of 600 signed copies printed on Ragston paper by Allan Kornblum and D. Duer. Handsewn in Canson wrappers by A.B. signed in black ink by Ron Padgett. Signed in red ink by Trevor Winkfield.

Colophon of Padgett and Winkfield’s “How to be a Woodpecker.”

Slesinger, Warren. With Some Justification: Nine Poems. Iowa City: The Windhover Press, 1983. Call number: PS3569.L4 W5 1983

This understated volume may be my favorite of all. Its textblock has been sewn onto cloth tapes that have been laced into the simple, light gray wrappers.

The nine poems are disguised as dictionary definitions. Above, below, and between the areas of text on each page are sections of uninked type impressions, type layered over type so that is creates a blurred impression. Cleverly, they carried over this idea of the blind-stamping type into the colophon. Half is inked, and half is like a secret message. Can you read it in the image below? (Click the images to view larger.)

Popkes, Wendy. Iowa Couplets. Art and printing by Ladislav Hanka. Kalamazoo, Michigan: Rarach, Press, 1982. Call number: PS3566 O62743x 1982

This book comes out a press from Michigan, but how could I resist including a book called Iowa Couplets? Bound in a paper with bits of grass, it gives a feeling of prairie before even opening the book. It includes a single poem and prints of rows of corn stalks.

I will leave you with the last lines of the poem,

A tall stalk

sprung from the living room carpet,

I become an acre,

a field in their old eyes.


Rare Books Highlights: Squire on the Longitude

A book open to two pages showing interspered text and rows of symbols.

Pages of Squire’s Proposal showing symbols of her own invention.

Squire, Jane. A proposal to determine our longitude. London: Printed for the author, and sold by S. Cope … and by the Booksellers of London and Westminster, 1743. Call number: QB225 S66x, 1743.

Women’s History Month was established to honor the contribution of women to society, and Jane Squire was not at all shy about putting herself forward as a women with a contribution to make.

Squire was an eighteenth century British woman and the only woman to participate openly when the British Parliament passed the Longitude Act in 1714 that offered a reward to whomever could establish a workable method for determining longitude at sea. Latitude was much easier to calculate than longitude, and the inability to accurately determine a ship’s east-west location sometimes resulted in shipwrecks.

Jane Squire boldly put forward her proposal, expecting it to be taken seriously, even though it was not considered proper at the time for women to engage in navigation and mathematics, especially for monetary gain. In a letter to Sir Thomas Hanmer, published in the book, she counters the objection with a hint of sly wit:

The Term Mathematick, I with great Ease resign to Men; but to count, to measure, &c. which are now generally suppos’d to be included in it; are so naturally, the Properties of every reasonable Creature, that it is impossible to renounce them, and deserve that Honour. (30)

And later she writes, in a frequently-quoted passage, “I do not remember any Play-thing, that does not appear to me a mathematical Instrument; nor any mathematical Instrument, that does not appear to me a Play-thing: I see not, therefore why I should confine myself to Needles, Cards, and Dice; much less to such Sorts of them only, as are at present in Use” (31).

If you are interested in learning more about Squire’s unusual and sometimes difficult life, I highly recommend the blog post, “The Lady of the Longitude: Jane Squire,” from the Centre for Research in the Arts, Social Science and Humanities (CRASSH) at the University of Cambridge.

Our copy of Squire’s Proposal is a second edition, bound in leather and decorated with some unusual symbols that seem to be Squire’s invention and can be seen within the text in the image that heads this post. According to the aforementioned CRASSH blog post, this is the common binding for this book, which is interesting at a time when most books were sold unbound.

Shows front cover of book bound in leather with a black circle in the center fo the cover with cross-shaped symbols stamped in gold into the circle.

Front cover of Squire’s Proposal, showing symbols stamped into the leather binding.

Inside the front cover, there is evidence of an interesting provenance, or ownership history, for our copy, indicating that it was owned by at least two notable people.

Inside front cover of a book showing a bookplate in the center with a coat of arms of a birth of pray with wings extended rising out of a crown surrounded by a ring with the words White Wallingwells. Second bookplate is a simple name in white on gray reading Harrison D. Horblit

Two bookplates inside ISU’s copy of Squire’s Proposal.

The round armorial bookplate in the center has the words “White” and “Wallingwells” in the circle and appears to belong to the White Baronetcy of Tuxford and Wallingwells in County of Nottingham, England. Sir Thomas Woollaston White, 1st Baronet, lived from 1767-1816, and could easily have added this book to his library. The plain name plate reading “Harrison D. Horblit” indicates the noted collector of rare books in the history of science, navigation, and mathematics. Horblit is the author of One hundred books famous in science: based on an exhibition at the Grolier Club (call number: Q124 H781o), now a common reference book for rare book collectors and librarians–though it does not include Squire’s Proposal. It is pretty exciting to have a book with such an interesting provenance!

The copy also includes the fold-out summary of the proposal.

Unfolded large sheet of paper with many sections of text and charts of symbols

Fold out summary of Squire’s proposal bound into the front of the book.

This summary gives a visual demonstration of the proposal’s complexity. The CRASSH blog post describes the proposed method as based on “real astronomical research and intellectual trends” but not easy to put into practice. “The scheme centred on dividing the heavens into more than a million segments which could be recognised visually, so that young sailors would not need advanced mathematics, and which were described through a new universal language.”

This book presents an interesting element in the history of navigation and a woman who was not afraid to tread in new paths.

Cited

“The Lady of the Longitude: Jane Squire.” CRASSH blog, Posted 1 Dec. 2014, CRASSH: Centre for Research in the Arts, Social Science and Humanities, www.crassh.cam.ac.uk/blog/post/the-lady-of-the-longitude. Accessed 28 March 2017.